
This is my inner judge. She has been modeled from dark gray clay, and is loosely patterned after a variety of girls I knew in nursery school. She has pigtails (because pigtails are perfect), bangs (because everyone has bangs), and an engaging smile (because perfect people smile). You may not think she looks very judgmental, or intimidating, or particularly critical. But you would be wrong.
I started a pottery class this week. Well, it's really a course in "Intuitive Hand Building," led by a woman named Hope, who, although she doesn't have PhD in art, likes to say that she has "an inner authority." I trust any woman authoritative enough to not shave her armpits. Plus, a whole month of classes is 5 dollars, read it, 5. So I sat in a church basement for an hour-and-a-half with Hope and two other women, Jean and Jennifer, making pinch pots and trying to intuit how my clay wanted to be built.
When the class began, Hope gathered us all at a table for some sharing time. She displayed a few pieces that she has made over the years, and one that she had done just that day: her inner judge. This inner judge was nasty. It was hunch-backed and beak-nosed, with sagging breasts, a reptilian spine, and hair in a tight bun. It looked like the fourth grade teacher everyone dreaded having in my elementary school, except that Mrs. Yagod wore clothes and wasn't made out of clay. Hope explained that we would all make our own inner judges--evoking the critiques, inhibitions, anxieties, and judgments that keep us from creating freely, and expressing them in a physical form--and we would put them outside in the stairwell while we potted, or clayed, or hand-builded.
I wanted to make my inner judge immediately, because I knew exactly how it looked, but first we had to make pinch pots. My pinch pots looked exactly like the one I made with my dad when I was five, so I tired of that easily, and when given the go-ahead, lit into my inner judge with panache. You see, when I was three- or four-years-old, I went to nursery school with a whole gaggle of very adorable, very outgoing, very sociable, very non-only-children. I immediately recognized myself as different from all of them because:
a) I could be (and even liked to be) alone
b) I was dressed differently
c) I lived far away from them, and not on a cul-de-sac or even on a street with a sidewalk
d) I played differently (eschewing puzzles and games to use the rocking horse in the corner to zip through forests and chase down evil ogres).
But I didn't want to be different. I figured, if everyone else does this one thing, but I do this other thing, I must be doing something wrong. To add to this psychological confusion was the fact that I didn't have bangs. Everyone had bangs; where did mine go? It was concluded that I must have been born with bangs, like everybody else, but that somebody cut them off for some reason. I have a widow's peak. Doesn't that sound so much more romantic and sophisticated than "bangs?" I think so.
But getting to my point, I couldn't own this difference. Nor could I own the fact that I was clearly a true artiste. I colored a rainbow one day, but to the horror of the other little girls, I had included black, brown, white, and gray in my rainbow. Quite progressive by today's standards, but I was promptly told, "There is no black in rainbows." Ohh. I had done something wrong. Better not do that again. Better not do anything out of the norm, unexpected, imperfect, or original again. At least not until you're a teenager. But don't worry, by then you'll be too nervous about taking a wrong step that you won't even have guts left to be original without worrying that your originality won't be an accepted originality.
But who knew that one day, I would be asked to personify, or clayify, my inner judge? And who knew that my inner judge would end up being a schoolgirl made out of mud (which is all we all are anyway), and that I would suddenly be able to trace it all back to being four-years-old?
Labels: DC, good things